In Conclave, Ralph Fiennes leads a compelling psychological thriller that dives into the secretive and politically charged process of selecting the next pope. Edward Berger’s direction highlights the tension within the Vatican as powerful religious leaders meet in the Sistine Chapel, each with their own agendas and secrets. Cardinal Thomas Lawrence (Fiennes) finds himself at the center of a labyrinthine mystery, uncovering revelations that shake his faith and the institution he's sworn to serve.

One of the film’s strongest elements is its pacing. The screenplay skillfully moves from one intense conversation to another, layering secrets and half-truths as the cardinals vote behind closed doors. As the suspense builds, it becomes clear that none of the candidates are without flaw, leading to a subtle commentary on leadership, integrity, and the complexities of power.

Fiennes delivers a vulnerable, introspective performance, portraying Lawrence as a man burdened by doubt and guilt. Stanley Tucci and John Lithgow shine as cardinals, each adding depth to the political and moral struggles unfolding in the Vatican. Their interactions feel rich with history and tension.

The score by Volker Bertelmann is a key player in the film, amplifying the unease with its stirring strings and sharp piano notes. The music heightens the tension, making the quiet, dialogue-driven scenes pulse with an underlying threat. Viewers may begin to feel like they are watching a murder mystery due to how dramatic the music is; I loved every moment of it! Stéphane Fontaine's cinematography beautifully captures the Vatican’s solemn halls, while Nick Emerson’s sharp editing maintains a steady pace.

Overall, Conclave delivers a gripping and thought-provoking thriller, rich in atmosphere and nuance, and is a must-see for those interested in political dramas with a psychological edge.